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Salsa Rising: New York Latin Music of the Sixties Generation de Juan Flores
Descripción - Críticas The book is sure to become an indispensable point of reference in the cultural history of salsa. (Juan Carlos Quintero-Herencia, New West Indian Guide)in this vividly narrated account he [Flores] narrows his focus from a wholesale history of so-called Latin music to a specific cultural moment in a single (albeit uniquely large and diverse) city ... most illuminating. (Brian Morton, Times Literary Supplement) Reseña del editor In the 1920s and 30s, musicians from Latin America and the Caribbean were flocking to New York, lured by the burgeoning recording studios and lucrative entertainment venues. In the late 1940s and 50s, the big-band mambo dance scene at the famed Palladium Ballroom was the stuff of legend, while modern-day music history was being made as the masters of Afro-Cuban and jazz idiom conspired to create Cubop, the first incarnation of Latin jazz. Then, in the 1960s, as the Latino population came to exceed a million strong, a new generation of New York Latinos, mostly Puerto Ricans born and raised in the city, went on to create the music that came to be called salsa, which continues to enjoy avid popularity around the world. And now, the children of the mambo and salsa generation are contributing to the making of hip hop and reviving ancestral Afro-Caribbean forms like Cuban rumba, Puerto Rican bomba, and Dominican palo. Salsa Rising provides the first full-length historical account of Latin Music in this city guided by close critical attention to issues of tradition and experimentation, authenticity and dilution, and the often clashing roles of cultural communities and the commercial recording industry in the shaping of musical practices and tastes. It is a history not only of the music, the changing styles and practices, the innovators, venues and songs, but also of the music as part of the larger social history, ranging from immigration and urban history, to the formation of communities, to issues of colonialism, race and class as they bear on and are revealed by the trajectory of the music. Author Juan Flores brings a wide range of people in the New York Latin music field into his work, including musicians, producers, arrangers, collectors, journalists, and lay and academic scholars, enriching Salsa Rising with a unique level of engagement with and interest in Latin American communities and musicians themselves. Biografía del autor Juan Flores is a Professor of Social and Cultural Analysis at NYU.
Detalles del Libro
- Name: Salsa Rising: New York Latin Music of the Sixties Generation
- Autor: Juan Flores
- Categoria: Libros,Arte, cine y fotografía,Música
- Tamaño del archivo: 13 MB
- Tipos de archivo: PDF Document
- Descargada: 456 times
- Idioma: Español
- Archivos de estado: AVAILABLE
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Salsa rising new york latin music of the sixties this book provides a history of latin music in new york from the early twentieth century to more recent years with a focus on the period between 1960 and 1975 beginning with an introductory chapter on the earlier decades 19301960 with an emphasis on the period of the mambo and the first stage of latin jazz the main story begins with the generational breakthrough of 1960
Salsa rising new york latin music of the sixties author juan flores brings a wide range of people in the new york latin music field into his work including musicians producers arrangers collectors journalists and lay and academic scholars enriching salsa rising with a unique level of engagement with and interest in latin american communities and musicians themselves
Salsa rising new york latin music of the sixties salsa rising new york latin music of the sixties generation kindle edition by flores juan download it once and read it on your kindle device pc phones or tablets use features like bookmarks note taking and highlighting while reading salsa rising new york latin music of the sixties generation
Salsa rising paperback juan flores oxford university salsa rising new york latin music of the sixties generation juan flores first fulllength historical account of latin music in new york a critical look at the often clashing roles of cultural communities and the commercial recording industry contains interviews with musicians producers arrangers journalists scholars and more
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