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Choreography and the Specific Image: Nineteen Essays and a Workbook de Daniel Nagrin
Descripción - Críticas 'Not a day goes by where I do not call on Daniel's brillance as an artist and educator, a writer, a thinker, and a person to aid me in my job as a choreographer, performer, and teacher.' --David Dorfman 'Daniel Nagrin is one of the genuinely interesting figures in American modern dance. in the volume, informed by the wisdom and experience of an unusually long and productive creative life, he turns his insightful gaze upon the making of dances.' --Robby Barnett, Pilobolus Dance Theatre 'An extraordinary and indispensable resource for choreographers, from budding to veteran. Here is a book that I can keep close by, reread and refer to again and again for comfort, inspiration, and contemplation for the years to come.' --Li Chiao-Ping 'Daniel Nagrin asks the right questions and offers insight and meaningful information to guide performers, teachers, and audience members toward a greater connection with the self and the art of dance. He is a master.' --Linda C. Smith, Artistic Director, Repertory Dance Theatre, Salt Lake City Reseña del editor The world outside has burst into the studio, writes the influential dancer, teacher and choreographer Daniel Nagrin. Many dancers want passionately to confront concrete, difficult subjects. But their formalistic training hasn't prepared them for what they need to say. This book, the first on choreography approached through ''content'' rather than ''structure'', is designed with them in mind. Spiced with wit and strong opinions, ''Choreography and the Specific Image'' explores, in 19 far-ranging essays, the art of choreography through the life's work of an important artist. A career of performance, creativity and teaching spanning five decades, Nagrin reveals the philosophy and strategy of his work with Helen Tamiris, a founder of modern American dance, and of Workgroup, his maverick improvization company of the 1970s. During an era when many dancers were working with movement as abstraction, Nagrin turned instead toward movement as metaphor, in the belief that dance should be ''about'' something. In ''Choreography and the Specific Image'', Nagrin shares with the next generation of dancers just how that turn was accomplished. ''It makes no sense to make dances unless you bring news'', he writes. ''You bring something that a community needs, something from you: a vision, an insight, a question from where you are and what churns you up''. In a workbook following the essays, Nagrin lays out a wealth of clear, effective exercises to guide dancers toward such constructive self-discovery. Unlike other choreography books, Nagrin addresses the concerns of both modern and commercial (show dance) choreographers. ''The need to discover the inner life'', he maintains, ''is what fires the motion''. This is Nagrin's third book of a trilogy, following ''Dance and the Specific Image: Improvization'' and ''The Six Questions: Acting Technique for Dance Performance''. Each focuses on a different aspect of dance - improvization, performance and choreography - engaging the specific image as a creative tool. Part history, part philosophy, part nuts-and-bolts manual, ''Choreography and the Specific Image'' should be a useful resource for all those who care passionately about the world of dance, and the world at large. Biografía del autor Dubbed ''the great loner of American dance'' by Dance Magazine. Daniel Nagrin has worked with Martha Graham, Helen Tamiris, Mme. Anderson-Ivantzova, and Anne Sokolaw. He has danced on Broadway, in film and television, and has toured nationally and internationally as a solo concert artist. He is professor emeritus of dance of Arizona State University.
Detalles del Libro
- Name: Choreography and the Specific Image: Nineteen Essays and a Workbook
- Autor: Daniel Nagrin
- Categoria: Libros,Arte, cine y fotografía,Artes escénicas
- Tamaño del archivo: 7 MB
- Tipos de archivo: PDF Document
- Descargada: 196 times
- Idioma: Español
- Archivos de estado: AVAILABLE
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Jeremy bensussan facebook daniel nagrin choreography and the specific image nineteen essays and a workbook pg 141 i did not kaka on your googoo me to cailin during max pollak residency there is no such thing as foreign technique to a dancer there are no dances to a true dancer which are alien
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