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Sol Lewitt: Four Basic Kinds of Lines & Colour de Sol Lewitt
Descripción - Reseña del editor Originally published in 1977, Four Basic Kinds of Lines & Colour is a classic artist's book by preeminent conceptual artist Sol LeWitt (1928-2007). Featuring 34 pages of drawings, the work is an early example of LeWitt's rigorous, algorithmic process in which a set of rules, applied to generate an image, are subsequently run through all of their permutations. In the late 1960s LeWitt began applying this technique, first developed for his wall drawings, to artists' books. In this publication, LeWitt demonstrates the 34 ways that basic lines (horizontal, vertical, left-facing diagonal and right-facing diagonal) can be rendered in four colors (red, yellow, blue and black), with each page displaying a single combination (for example, horizontal lines in blue). The book is one of LeWitt's signature bookworks, which in its original edition remains quite scarce, so this new facsimile edition is significant; almost none, if any, of his books (he produced over 50) have been reprinted.
Detalles del Libro
- Name: Sol Lewitt: Four Basic Kinds of Lines & Colour
- Autor: Sol Lewitt
- Categoria: Libros,Arte, cine y fotografía,Historia, teoría y crítica
- Tamaño del archivo: 13 MB
- Tipos de archivo: PDF Document
- Descargada: 253 times
- Idioma: Español
- Archivos de estado: AVAILABLE
Lee un libro Sol Lewitt: Four Basic Kinds of Lines & Colour de Sol Lewitt Ebooks, PDF, ePub
Sol lewitt four basic kinds of lines amp colour artbook d sol lewitt four basic kinds of lines amp colour published by primary informationprinted matter inc originally published in 1977 four basic kinds of lines amp colour is a classic artists book by preeminent conceptual artist sol lewitt 19282007 featuring 34 pages of drawings the work is an early example of lewitts rigorous algorithmic process in which a set of rules applied to
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Four basic kinds of straight lines yale university art note this electronic record was created from historic documentation that does not necessarily reflect the yale university art gallerys complete or current knowledge about the object
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