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Thinking Through Dance: The Philosophy of Dance Performance and Practices de Jenny Bunker,Anna Pakes,Bonnie Rowell
Descripción - Reseña del editor 'Thinking Through Dance' explores important philosophical questions raised in and by dance. Its themes include the embodiment and personhood of dancers; issues of dance work ontology and performance identity; how dance is perceived and understood; the relevance of philosophy to dance as an artform; and whether dance itself, or its associated practices, are themselves philosophical in any significant sense. Individual essays draw on different philosophical traditions, including analytic, phenomenological and poststructuralist, and the primary focus is on theatre dance in the Western tradition, although the issues discussed have a much broader sweep. The volume poses fundamental questions about what it means to be or witness a dancer moving, about the nature of choreography, dance works and performances, and about the interest and value of a dialogue between philosophy and dance. The philosophy of dance is a burgeoning field of enquiry and this volume seeks to represent something of the breadth of international research currently underway. It draws together contributors who are professional philosophers, dance scholars and dance practitioners (in some cases, people combine these roles), from Britain, continental Europe, the USA and South Africa. As the first anthology of essays about philosophy and dance to be published in English for some time, the aim is to provoke debate and develop the existing reflection on dance, but in new and invigorating directions. The Editors: The editors are colleagues at University of Roehampton, London: Jenny Bunker teaches aesthetics on the philosophy programme of the Department of Humanities; Anna Pakes and Bonnie Rowell (who is now retired) are from the Department of Dance, and have a longstanding interest in the application of analytic philosophy to dance, as well as the intersections between this and other philosophical traditions and dance studies. Biografía del autor The editors are colleagues at University of Roehampton, London: Jenny Bunker teaches aesthetics on the philosophy programme of the Department of Humanities; Anna Pakes and Bonnie Rowell (who is now retired) are from the Department of Dance, and have a longstanding interest in the application of analytic philosophy to dance, as well as the intersections between this and other philosophical traditions and dance studies.
Detalles del Libro
- Name: Thinking Through Dance: The Philosophy of Dance Performance and Practices
- Autor: Jenny Bunker,Anna Pakes,Bonnie Rowell
- Categoria: Libros,Arte, cine y fotografía,Artes escénicas
- Tamaño del archivo: 8 MB
- Tipos de archivo: PDF Document
- Descargada: 125 times
- Idioma: Español
- Archivos de estado: AVAILABLE
Download Thinking Through Dance: The Philosophy of Dance Performance and Practices de Jenny Bunker,Anna Pakes,Bonnie Rowell PDF [ePub Mobi] Gratis
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Thinking through dance the philosophy of dance through thinking through dance the philosophy of dance through performance and practices add to my bookmarks export citation type book authors jenny bunker anna pakes bonnie rowell date 2013 publisher dance books pub place binsted isbn13 9781852731656 this item appears on
The philosophy of dance stanford encyclopedia of philosophy the bibliographic sources provided here on nonwestern and nontraditional philosophy andor nonwestern forms of dance include s davies 2006 2008 2012 and 2017 on balinese legong fraleigh 2010 and 2015 on the japanese form of dance known as butoh including asking whether butoh is a philosophy friedmans forthcoming essay on postcolonial african philosophical frameworks as
Thinking through theatre and performance thinking through about thinking through theatre and performance thinking through theatre and performance presents a bold and innovative approach to the study of theatre and performance instead of topics genres histories or theories the book starts with the questions that theatre and performance are uniquely capable of asking how does theatre function as a place for seeing and hearing
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