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Revolution in the Making: Abstract Sculpture by Women 1947 - 2016 de Paul Schimmel
Descripci贸n - Cr铆ticas .' . . define[s], as demonstrated in the work gathered here, the shared reality of an experimental impulse with materials and forms that has proved incalculably influential.' - The New York Times-. . . define[s], as demonstrated in the work gathered here, the shared reality of an experimental impulse with materials and forms that has proved incalculably influential.- - The New York Times Rese帽a del editor Half theWorld traces the ways in which women artists deftly transformed the language of sculpture to invent radically new forms and processes that privileged studio practice, tactility and the artist鈥檚 hand. The volume seeks to identify the multiple strains of proto-feminist practices, characterized by abstraction and repetition, which rejected the singularity of the masterwork and rearranged sculptural form to be contingent upon the way the body moved around it in space. The catalogue begins in the immediate post-war era, with the first section spanning the late 1950s through the 1950s. Featuring historically important predecessors including Ruth Asawa, Lee Bontecou, Louise Bourgeois, Claire Falkenstein and Louise Nevelson, this section examines abstraction based on the human figure and the influence of the unconscious. The second section covers the decades of the 1960s and 1970s, and includes Magdalena Abakanowicz, Lynda Benglis, Heidi Bucher, Gego, Fran莽ois Grossen, Eva Hesse, Sheila Hicks, Marisa Merz, Mira Schendel, Michelle Stuart, Hannah Wilke, and Jackie Winsor, a generation of post-minimalist artists who ignited a revolution in their use of process-oriented materials and methods. In the 1980s and 1990s, the period explored in the third section, artists Phyllida Barlow, Isa Genzken, Cristina Iglesias, Liz Larner, Anna Maria Maiolino, Senga Nengudi, and Ursula von Rydingsvard moved beyond singular, three-dimensional objects toward architectonic works characterized by repetition, structure, and design. The final section is comprised of post-2000 works by artists Karla Black, Abigail DeVille, Sonia Gomes, Rachel Khedoori, Lara Schnitger, Shinique Smith, and Jessica Stockholder, artists who create installation-based environments, embracing domestic materials and craft as an embedded discourse. Biograf铆a del autor Paul Schimmel is curator and vice president at Hauser & Wirth. He is the former chief curator of the Museum of Contemporary Art, Los Angeles. Jenni Sorkin is a curator, art historian, critic, and assistant professor of contemporary art history at the University of California, Santa Barbara. Elizabeth Smith is executive director of the Helen Frankenthaler Foundation and former chief curator at the Museum of Contemporary Art, Chicago. Anne M. Wagner is an internationally renowned art historian and professor emerita of modern and contemporary art history at the University of California, Berkeley.
Detalles del Libro
- Name: Revolution in the Making: Abstract Sculpture by Women 1947 - 2016
- Autor: Paul Schimmel
- Categoria: Libros,Arte, cine y fotograf铆a,Escultura
- Tama帽o del archivo: 18 MB
- Tipos de archivo: PDF Document
- Descargada: 412 times
- Idioma: Espa帽ol
- Archivos de estado: AVAILABLE
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